Product Description
Can Ef 17 40mm F4l Usm Ultra Wide Angle Zoom Lens , Can Ef 28mm F18 Usm Wide Angle Lens , Sigma 30mm F14 Ex Dc Hsm Lens , Can Ef 35mm F14l Usm Wide Angle Lens , Can Ef 70 200mm F4 L Is Usm Lens , Product Description Broaden your perspective with the Canon EF 17-40mm ultra-wide-angle zoom lens. Ideal for both film and digital SLR cameras, the lens offers three aspherical lens elements in addition to a Super UD (ultra-low dispersion) glass element, creating superior optics in all conditions. In addition, the lens focuses as close as 11 inches (0.28mm), and offers both Canon's full-time manual focus and a powerful ring-type ultra-sonic monitor (USM) that produces fast and silent autofocus. Other features include a constant f/4 maximum aperture, the choice of screw-in 77mm filters or a holder in the rear of the lens for up to three gel filters, and optical coatings optimized for use with digital cameras. Boasting weather-resistant construction similar to other high-end L-series cameras, the lens carries a one-year warranty.
- Focal length: 17-40mm
- Maximum aperture: 1:4
- Lens construction: 12 elements in 9 groups
- Diagonal angle of view: 104 to 57 degrees (at 30 feet)
- Focus adjustment: Inner focusing system with USM
- Closest focusing distance: 0.9 feet
- Zoom system: Rotating type
- Filter size: 77mm
- Dimensions: 3.3 inches in diameter, 3.8 inches long
- Weight: 1.1 pounds
This review is from: Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for Canon SLR Cameras (Camera)
No one lens accomplishes every photographic objective. Canon makes each lens at every price point well-suited to various tasks, but with limitations that can only be overcome by graduating to the next higher priced but similar item. A case in point: the wide-angle zooms.
The 17-40mm f/4 is one of Canon's best deals in L-series glass. You have to spend twice as much to get a lens of similar quality, but just one stop faster. Does this make the more-expensive EF 16-35 f/2.8L a ripoff? Not for its own specific use: the extra stop gives you the speed to shoot in more indoor situations. Not all photographers need this. When indoors, we're often taking pictures of people, which are better suited to lengths around 50-100mm. To capture sweeping panoramas of parlors for Architectural Digest (or Coldwell Banker) the f/2.8 is the better lens and worth the step up in price, though in many cases you could use the f/4 lens with a tripod. All this means is that the f/2.8 is priced for professional specialists whereas the f/4 is for more general use. My bigger point is that Canon has its whole lineup positioned: the differences across lenses are specific and appropriately priced, which is good news for the consumer. It's hard to make a mistake buying homegrown Canon lenses, especially L-series lenses. You just have to figure out which set of two or three suits your range of uses.
The 17-40mm is a steal for people who need a walkaround lens for travel and outdoor photography. The shorter focal lengths of the zoom are great on a digital body, with nice reach and minimal distortion; just an ability to grab up landscape and wide situations end-to-end, even when standing close. The focal lengths around 40mm are tight enough for portraits and other local detail. Colors are strong and convincing; contrast deep and impactful. The lens itself is small enough and light enough to grab-and-go, but nicely machined, with solid fit and finish. It has an instantly recognizable profile, with the added bonus of the red ring.
This lens, plus a 70-200mm f/2.8 telescope and a nice fast fixed lens in the range betwixt are all you need. On vacation, and in most outdoor situations, the 17-40mm alone suffices. It makes a good first L-lens, and a staple in the arsenal.
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